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Communications Design Industry Discussion, Inspiration, & Tutorials

Sep 27, 2011

This Week: Middle of a Poster Series

By On 14:55
Take a look at the "Beginning of a Poster Series" for a snapshot of the progress.

And then, I got a bit closer.  Tulle, 3-element palette, and varying photo treatments, PLUS a very cool looking faux-spot varnish when the final is printed.   This project still has a little way to go to completion, but I feel I'm on the right track.



Sep 23, 2011

This Week: Middle of a Poster Series

By On 06:45
Take a look at the "Beginning of a Poster Series" for a snapshot of the progress.

I went on a site visit to the location of the recognition event, and got a wake-up call. The walls will not frame a vertical orientation well.  Actually those walls could take a vertical , but my design would need to be  much more narrow.  So, here's what the first set have morphed into :


The color scheme and tulle pattern give a layer of elegance--not to mention the addition of a faded drop cap in Vivaldi Italic.  I'm still working on the framing of the portrait (I think a tighter crop might work better than what you're looking at now). To get to this point in  the design process I worked on several layouts in this color space. I experimented with making different elements of the palette the primary color. Don't scream :



Please note: the difference in the focus of these posters and the ones from series one. Emphasis is now on the individuals rather than on their accomplishments.   




Sep 12, 2011

Portfolios that Inspire!

By On 06:22

Not only is he an awesome friend, he’s also an awesome graphic designer.  This is what my portfolio aspires to be when it grows up. Simon’s is an example of an excellent graphic design portfolio, full of great design samples, diverse projects, simplicity of design/layout, and consistent branding! Kudus buddy.



Check out some more Portfolios that Inspire

Sep 8, 2011

Job Interview: Make a good Impression

By On 07:23
Interviews are a fact of life in job hunting. If you want to make a good impression, learn and execute the following:
Be Prepared – Don’t walk into an interview without researching the company and job. You should know what the company does, recent or notable press, and basic information about its history. Not knowing the basics is an immediate turn-off for interviewers.
Dress well – The fact is that you are judged-–or pre-judged—by your attire. Pay attention to your appearance. No matter what the position you’re applying for, dress professionally and compose yourself similarly. After you get the job, you can choose clothes that suit your personal style.
Have your portfolio and leave-behind ready – You’re a graphic designer and they want to see your work! In addition to your portfolio, leave the interviewer with a piece that gives them access to your design skill. I mean a brochure, view book, writing samples, flash drive, DVD, etc.  At the very least give them a biz card with links to your portfolio site.
Arrive on time –Plan to arrive 15 minutes early. Being earlier than that may make the interviewer feel rushed. If you get there sooner, grab a coffee and use the spare time to practice your interview responses.
Be confident – You know why you applied for the position and you know why you’re right for it! Your task here is to convey this to the interviewer. Smile, sit comfortably–and straight, make eye contact, offer a firm handshake, and respond to questions with enthusiasm. And for God's sake, don't fidget.
Ask intelligent questions – By asking pointed, intelligent questions, you'll impress the interviewer with your interest and set yourself apart from the competition. Get a great list at SimplyHired.com
Follow Up – After the interview is over send a thank you note to all who interviewed you.  Get their names or business cards of all the folks who interviewed you before you go—or snag them off the internet. You have the option of an email or hand written note—your call.I’ve recently added a 4x6 notecard to my identity package; I use this for invitations, thank yous, invitations, and notes.   

Aug 31, 2011

Using Stock?

By On 13:49
I'm sick of catching bad stock being used poorly.  I can't deal--it's like adding insult to injury (I'll plan a future rant about cliches).
In a recent hunt round the Web I came across a very familiar bit of stock--I think we all know the multi-colored hands reaching into the circle. Well, AARP did some minor tweaking and gave that vector back some of its pride:



The stylized human form--that we all default to at some point in our career--is the domain of the Noun Project.  This designer used the semantic vector art to create a clever narrative in 3 characters:



Finally, this stock photo is one I've seen before but chose not to touch with a t 10-foot pole. The daring designer grabbed this heinous pic and used it to his advantage; making a poster that cleverly spoke  to his audience :


Aug 24, 2011

This Week: Beginning of a Poster Series

By On 13:00
This is step 3--after reading a dozen donor stories and balling up terrible sketches.


Adding white to a gradient really diminishes the subtlety. Oh well, I'm looking forward to developing this concept into a finished series.

-Cheers, 
sjc

Aug 11, 2011

PhotoDune: The New Place for Stock

By On 05:47
I love Envato!  They just launched PhoteDune Beta, another online resource for stock photography.



If you're unfamiliar with Envato they're an international community of designers and developers that provide stock for graphic, game, and Web designers. Plus a couple blogs for networking and general freelance design.The prices on Envato stock designs are relatively cheap and the products are always high quality.

Browse the sites, then bookmark these pages:

Aug 7, 2011

Because Envato Rocks, That's Why!

By On 18:50

 wallpapers.audiojungle.net and called Jungle Desktop Wallpapers – was created to show off the top 21 competition submissions. You can still see and download those wallpapers today.

Jul 27, 2011

My Handmade Wish-List

By On 09:07
I might be a shop-aholic, so it's taking all my resolve not to buy everything on this list right now.  Thanks Etsy!

For my hair: Chamomile Lavender Shampoo Bar



For my face: Vanilla Mint Lip Balm
For my hands: Sweet P Shea Hand and Body Balm
For my neck: Multi-color snake scarf
For my feet: LaLa Shoes!
For my mod street cred: This gorgeous bag
For the kid in me: This harlequin jester


Jul 22, 2011

Entrepreneruial Spirit: Ali Dryer

By On 08:15
Okay, I ran into Ali  a couple weeks ago after a huge craft fair in Baltimore.  I love seeing her, and I love her story.  The long and short of it is that she was treated like sh*t at a restaurant job and she did some soul-searching before saying bye-bye to the stress and ill-treatment.  Then she started makin' bags.









I'll have to edit this post later; with a few of her national magazine features!

Interview Question: Describe your Experience...

By On 07:41
For a recent grad or someone early in their career as a designer, you may need to rely on your internship, in-class, and freelance experience. Don’t think that work you’ve taken your time to complete doesn’t count; it counts!

First be very familiar with text and terms used in the posted job description. In a DC job description posted today one requirement for the position is “Familiarity with information architecture principles desired; basic understanding of HTML and CSS also desired.”

This means, can you put a site together logically; with important and relevant links in the main and secondary navigations. Also, do you know the basics of building a Web page? The answer to both questions is “Yes!”

So how do you convey to an interviewer that you have this experience? Here goes...

When talking about your internships: Realistically, your experience should cover 90% of the position requirements from the original posting. You could begin like this, “I recently completed an internship with Company Ecks where my primary tasks were to maintain the website and update social media." You follow up with a short description of the actual work, especially coding specific aspects of the job.

When talking about experience through coursework: Even if your experience is limited, begin with an affirmative statement. You want to be sure that you present a well-rounded and skilled designer. “I’ve had several courses in HTML/CSS and have built a few different sites from scratch: from planning and building out the site architecture and wireframes, to creating web graphics, and optimizing photography, and creating text content. With my personal website I took the opportunity to experiment with jQuery and lightbox design in order to increase my coding skills.” You want to be sure that you present a well-rounded and skilled designer.

Finally, when talking about your freelance work: Having a diverse body of work is ideal. Give the employer a brief list of your client projects and highlight items that are relevant to the type of work you’re applying for. I interviewed for an internship my first semester in grad school, the position was for a graphic designer to create posters and signage at a museum—nothing I’d really done before. I told the interviewer about my experience creating identity packages for my (only) 3 freelance clients and then followed up with a synopsis of my relevant college coursework. Apparently my ability to work with hierarchy, typography, and visual balance was enough to get me the position.

Link to more Interview Questions for Graphic Designers.

Jul 20, 2011

Interview Question: What are your Strengths?

By On 11:23
But there are so many to choose from! Tough…pick 3. The fact is that the interviewer may only ask for one or 2, but you want to have that third one in the chamber, just in case.

Select three traits or attributes that are most beneficial for the position/type of work and give examples.
This is not the time to list your technical skills. They already have that information on your resume.

Instead use this time to talk about you and your work ethos; employers want to know if you:

  • have great time management skills (in our field, it’s almost as important as the actual designs you produce)
  • thrive in a collaborative environment / or function better with more autonomy
  • are flexible and can change gears quickly when necessary
  • communicate effectively with others (in print, Web, face-to-face)
  • keep your skills up-to-date (through coursework, seminars, webinars, etc)


My personal favorite—and possibly the thing (besides my portfolio) to which I owe my current position –is, “There is always more than one solution to a problem. When faced with a design challenge, I study the problem then come up with a couple equally effective yet visually dissimilar solutions.” The follow up this statement is a short and poignant anecdote about an invitation design that the client wanted. Sorry, I have no pithy subhead for this one.

The important thing to remember here is to be clear on what you want to communicate and keep it brief.
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Photo Credit: bbaltimore via Compfight cc

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